Paramount marketing changed the name. They made the title simple. The characters you all remember are exactly the same, and yes they still act like teenagers. Everything you remember, why you liked the characters, is in the movie. This script is being developed by two very smart writers, with one of the original creators of Ninja Turtles. They care VERY MUCH about making this film for the fans. Everyone on this team cares about the fans. Just give them a chance. Jonathan the director, is a major fan of the whole franchise. HE’S NOT GOING TO LET YOU DOWN.
Kevin Eastman – “Hey Guys, Sorry to have been away for so long–completely swamped with work–but it is some pretty exciting stuff. I had been invited to check out the TMNT film development by my friend Scott Mednick over the years, and a while back had a full look behind the curtian at what writers Appelbaum and Nemec, director Liebesman, and producer Bay are doing–and trust me–it IS AWESOME. I’m officially on board, and will share more as I’m allowed… thanks all!”
I have had several requests from TMNT fans during this past week to comment on the idea of the Turtles being “reimagined” as aliens for the upcoming TMNT movie to be produced by Michael Bay. A few people — who don’t seem to understand that I am no longer in control of the property — want me to stop this, somehow. Obviously, I can’t do that, even if I wanted to.
But I would actually encourage TMNT fans to swallow the “chill pill” Mr. Bay recently suggested they take, and wait and see what might come out of this seemingly ill-conceived plan. It’s possible that with enough truly creative brainpower applied to this idea, it might actually work. I’m not saying it’s probable, or even somewhat likely… but it IS possible.
However, as I have pondered this further, I have realized that in one way it IS truly a genius notion. Let me explain…
Over the years, I have made no secret of my distaste for what I consider to be the weak, facile, creatively bankrupt idea which can be summed up like this:
“If FOUR Ninja Turtles are good, then FIVE (or more) Ninja Turtles MUST be better!”
It was in large part this brain-dead notion that led to the creation of the execrable “Venus de Milo” character in the blessedly short-lived live action TV series “Teenage Mutant Ninja Turtles: The Next Mutation”. And I can’t tell you how many times we got mail in the early years of the Turtles from people who thought it was simply an amazing idea to do a “fifth Turtle”, and how many times those same people suggested that this fifth Turtle be named “Picasso”. And many times, the brilliant idea to explain this extra Turtle was that, instead of there being just four pet shop turtles in that glass bowl in the origin story, there were really FIVE.
I’ll admit — I have played with the idea of more Turtles myself, a few times. There was the character of “Kirby”, the “fifth Turtle” that Kevin Eastman and I came up with for one of the several movie ideas which never came to fruition. And I created the “Super Turtles” in Volume 4 of the TMNT comics published by Mirage… and they eventually appeared in one episode of the 4Kids animated TMNT TV series.
… in both those instances, I was careful to make these Turtles not just MORE of the same, i.e. just extra TMNT. In both of the above cases, the extra Turtles were from other dimensions… and the Super Turtles, especially, were VERY different from the Ninja Turtles. I don’t remember all the details of the work we did on that “Kirby the Fifth Turtle” thing, but I DO remember being adamant that if we were going to agree to the idea of a “fifth Turtle”, it would have to be something other than the harebrained “there was an extra Turtle in the bowl, etc.” idea.
Is that too fine a line? Yeah, maybe… but to my way of thinking, anyway, it is a CLEAR line.
Anyway, to get back to the “TMNT are aliens” thing — the reason I say it could be a “genius” idea is that — for the first time — someone has come up with a way to have as many freakin’ Turtles as they want. I mean, if the TMNT are actually members of an alien race, there could be a whole PLANET of them!
Joy. — PL
Source: Peter Laird’s TMNT Blog
Fans need to take a breath, and chill. They have not read the script. Our team is working closely with one of the original creators of Ninja Turtles to help expand and give a more complex back story. Relax, we are including everything that made you become fans in the first place. We are just building a richer world.
Source: S4TE Forums
As some of you might know, there have been several news outlets reporting on Chris O’Dowd’s comments on Michael Bay. Here is Chris’ apology:
Chris O’Dowd here, are as you probably know me, that loudmouth Irish shit. Or even more likely, Chris O’Who?
It seems some offensive words have been cast in your direction in the last day or two, seemingly from my own potty mouth. I thought it important to apologise and try and set the record straight, though I understand if I don’t hear back from you.
First and foremost, let me say how difficult it is to compose an apology while galloping aimlessly atop the highest of high horses.
Please know this, I never called you an asshole. For one, I don’t know you, and secondly, in Ireland, we say Arse.
More importantly, I Never called you sexist. I was quizzed as to why Megan Fox is considered such a nightmare to work with (which was not my experience when i worked with her twice this year) And What I actually said was; ‘The way the Press gleefully dealt with the firing of a young woman was one of the most sexist things I’ve ever seen. People shouldn’t revel in seeing anyone lose a job. The dismissal of an old male actor would never have been welcomed with the same joy and ridicule.’
It was naive of me to assume a remark aimed at the sexism in the entertainment press would reach its target in the entertainment press. I’m new to all this and that was stupid of me. You clearly got caught in the crossfire and I’m sorry about that.
I’m actually sorry I ever took the bait and got into this at all. I’m totally ignorant about it, I’ve never even had a conversation with Megan about it and was clearly too full of bravado and bereft of subtlety to defend a co-star professionally.
Anyway, I genuinely feel bad if this has hurt your feelings. It was always unlikely we’d ever work together given our differing genres and my own general physical ineptitude. But I hate the idea of offending anyone unnecessarily, that’s really not me. So please accept this apology with the sincerity from which it comes.
Please let me know if there’s anything else I can do.
Have a wonderful St. Patrick’s day.
A Miami casting firm was fired from Pain & Gain yesterday for their bad choice of a publicity stunt for auditioning a former cast member of The Real Housewives of New York City. This was a stunt concocted by them. This audition was never seen by me, nor would it ever be considered. I’m told the true embarrassment would come from the audition itself.
Hopefully, it doesn’t get into the wrong hands.
I read something in Hollywood Reporter saying Pain and Gain is being made for $35 million. I wish. But it is being made for $22 million. I want to do this one cheap. Not get muddled in the stuff. It’s about the characters on this one. I’m taking director scale pay as well. I have great actors and a fun script, it should be a blast. Anyway start shooting in a few weeks and will post from time to time.
Math doesn’t lie.
So I looked into this Razzie thingy. Sounds like a fruit cocktail but it is an apparent award for they say “the worst in film” by respected judges.
On their website you can join to be Judge! Holy shit, for $40 I could actually use my credit card to be a one! So I joined (I didn’t want the INNER SANCTUM membership for $75, because it sounds too much like Rectum). The $100 one for “GUARANTEED ANONYMITY” sounds kind of cool for the pure Internet lifer-hater-living-their-whole-life-behind-a-computer-wishing-they-could-of-done-something-other-then-hate-the-ones-that-are-doing. But the price was steep.
I’m a judge now $40 bucks with a newsletter included. I must say the Razzie Reporter Newsletter rocks!
So here’s the math, made by a young PA in the office:
- Directed nine movies
- One movie tanked at the box office
- 4th Highest Grossing Director of All Time according to BoxOffice Mojo
- Youngest age in the top ten Grossing directors according to Boxoffice Mojo
- Bay most likely has received the most Razzie nominations as a director ever has
- Transformers Dark of the Moon: 140 million people around the world attended
- Transformers Dark of the Moon box-office $1.123 billion dollars.
- Transformers Dark of the Moon received 7 Noms this year
- Transformers Dark of the Moon is 4th highest grossing movie of All Time (the last Harry Potter is 3rd , and last Lord of the Rings is 5th).
- The next most attended movie Nominee is Jack and Jill, 4.2 million people.
- Transformers Dark of the Moon made $1.20 billion more dollars then the next Nominee Jack and Jill
- Number of Razzie Judges: 423
- Razzie Judges with Emperor packages: 13 (not sure what special shit they get)
Okay so now…
430 judges vote + 140 million people saw it + 712 Paramount Studio employees are smiling = 1 Very Happy Director
Film School Reject’s Robert Fure:
Achievement in Sound Editing
Hugo wins here, which is stupid. Drive was nominated because it was loud and realistic, but I don’t think that overcomes Transformers: Dark of the Moon, which created an amazing and realistic immersive experience that was well thought out. Say what you will about the movie or Bay, but the film is cutting edge and sounded amazing.
Achievement in Sound Mixing
Again, Hugo doesn’t hold a candle to Transformers. The action film is ignored because it’s perceived as being big, loud, and stupid, when it is actually big, loud, and technically crafted amazingly in several departments. Hate the film, you can’t ignore the layers of sound work here.
Achievement in Visual Effects + This is What’s Wrong with the Oscars Part 2
The childish Hugo again wins, inexplicably. I don’t think Deathly Hallows had the consistency in its effects work to win here. Many were cheering Rise of the Planet of the Apes, but I don’t think that wins here either – what was the achievement? More facial mocap? Big whoop. The technology being utilized here is Lord of the Rings stuff plus the hair texturing of King Kong. It’s not groundbreaking. I liked Real Steel, which had some pretty great effects, but the king of the pile here is Transformers: Dark of the Moon.
This is again what’s wrong with the Oscar’s. They don’t want to give Transformers an Academy Award, despite the fact that it is utterly amazing visually. Michael Bay has a bad reputation in some professional circles and a lot of people consider him to be a bad director – so what? This isn’t about good people and this category actually isn’t about “good” movies. Transformers is at least competent in every department, but when it comes to visual effects, this film is retardedly amazing. The robots move more realistically than the apes in Rise, and they seamlessly interact with the physical environment. The effects are blended perfectly.
Further, the film breaks ground in processing power and what’s possible on the screen. Each of the Transformers is made up of hundreds, if not tens of thousands, of pieces that are animated. There was a time when just putting one of those guys on screen was impossible, yet now a battle can rage with dozens of Transformers fighting dozens of flying vehicles while buildings collapse in the background. This just isn’t about the robots, it’s about the entire digital landscape collapsing around them. Dark of the Moon was fucking robbed.
FIRST UP FOR THE PROLIFIC FILMMAKER IS “PAIN AND GAIN” STARRING MARK WAHLBERG AND DWAYNE “THE ROCK” JOHNSON, FOLLOWED BY A NEW INSTALLMENT IN THE HUGELY POPULAR “TRANSFORMERS ” FRANCHISE, TO BE RELEASED ON JUNE 29TH, 2014
HOLLYWOOD, CA (February 13, 2012) – Paramount Pictures announced today that director Michael Bay has signed a two-picture deal with the studio, which will commence this spring with the filming of “Pain and Gain,” and will be followed by the next installment in the hit “Transformers” franchise.
Based on a true story, “Pain and Gain” follows a group of bodybuilders who engaged in a campaign of kidnapping, extortion and murder in Florida. First told in an article from the Miami New Times, “Pain and Gain,” will be directed by Bay and will star Mark Wahlberg and Dwayne “The Rock” Johnson. Expected to begin production in early spring, the movie’s producers include Bay, Donald De Line and Ian Bryce.
Following “Pain and Gain,” Bay will bring audiences a new take on the “Transformers” franchise as he begins production on the fourth installment in the hit series of movies based on the best-selling Hasbro toyline. The third, and most recent installment of the franchise, “Transformers: Dark of the Moon,” is the fourth highest global grossing film of all time with 1.124 billion dollars of worldwide box office success. Directed by Bay, the movie will re-unite the filmmaking team from the hit franchise, including producers Lorenzo di Bonaventura, Don Murphy, Tom DeSanto and Ian Bryce; and executive producers Steven Spielberg, Bay, Brian Goldner and Mark Vahradian. Paramount Pictures will release the film on June 27th, 2014.
“Michael has been working on PAIN AND GAIN for a number of years but has patiently waited for the perfect casting to trigger a start,” said Adam Goodman, President of Paramount’s Film Group. “Clearly his patience has paid off as we couldn’t be more excited about this combo. His passion for this project is just awesome.”
To clarify uninformed reports coming out of Toy Fair – Steven Spielberg and I are working on a whole new re imagining of Transformers, the fourth installment. We have been working on the idea for a few months. I’m excited about where it’s headed. But first I’m doing a small $20 million dollar edgy black comedy of a true crime story set in Miami called “Pain and Gain,” staring Mark Wahlberg and Dwanye Johnson, and very close to signing on a couple other great actors. I’m extremely excited to simplify my film career this spring with a great character piece.
That starts filming at the end of March. I might then jump onto a very cool television show my company Platinum Dunes is selling to a major cable network. It might be my first pilot I might potentially direct. We are still working out the details of the deal.
Correction: Prior misinformation that I was involved with ‘Hansel and Gretel in 3D’ was due to a writer having no clue what he was talking about and running wild with it. The movie is actually Scott Gardenhour’s new project. Scott heads my commercial company, The Institute. He is my producing partner and good friend of 15 years. He’s an awesome and talented guy, and I wish him all the best with it.